Discover the enchantment of Cappadocia

Where history meets with fairy chimneys

Itineraries Of Guided Tours In Cappodocia
RED TOUR
Full Day
Tour route:

Dervent Valley, Zelve Open Air Museum, Pasabag Fairy Chimneys, Avanos, Goreme Open Air Museum, Uchisar.

GREEN TOUR
Full Day
Tour route:

Kaymakli Underground City, Ihlara Valley, Selime Village, Pigeon Valley.

BLUE TOUR
Full Day Rose Valley & Valley Of The Pigeons
Tour route:

Rose Valley, Cappadocia Valley from Uchisar to the City of Goreme,

CAPPADOCIA, LUNAR LANDSCAPE; the formation, fairy chimneys , underground cities, valleys and villages

In central Anatolia, lies one of the geological and archaeological wonders of the world. It is no less than 300 km² of fantastic “ moonscape” sprinkled with stone pyramids and cones fitted with caps , large circular pinnacles and obelisks, created by nature and transformed into amazing hollow colony complexes by a remote people. Over the centuries, Christian settlers expanded the underground system of dwellings and decorated it with frescoes and rudimentary designs.

Approaching Cappadocia, visitors will surely be struck by the wide rows of dwellings carved into the rock and the “fairy chimneys” that, at first glance, appear to be artificial , but are actually the work of nature’s whims. The region is dominated by natural caves and curious rock formations; small or large, massive or thin, they may rise from the bottom of a cliff or rise from the slope of a hill, isolated or in groups, showing off a wide range of colors with hues ranging from pink, ochre and light blue.

Tourists cannot help but wonder how such a landscape was formed.

Probably during the Tertiary period of the Cenozoic era, thirty to sixty million years ago, the Cappadocia region was the scene of violent volcanic activity. At least three major volcanoes, the Erciyes, Hassan, and Melendiz, rattled the earth’s crust for tens of thousands of years, with eruptions of lava, boulders, and ash. As a result, the present region is located on a plateau formed by the gradual accumulation of volcanic debris. Over the millennia, the plateau was gradually eroded by the Kizilirmak River and its tributaries. Strong winds, violent rains, frosts and subsequent earthquakes helped reinforce the erosion process, so the magical “moonscape” of Cappadocia was created.

We are faced with a land that of the fantastic, and this feeling is so strong that one almost has the impression of being on another planet. Agglomerates of rocks of the strangest shapes fill the hills and gorges, with likenesses of animals, mushrooms, caricatures of famous people, all incredibly shaped by the natural elements.
Temples carved into the rock, underground colonies and stairways cover the precipices and perpendicular walls, hollowed out and connected by a system of tunnels and galleries.
Every stone is a relic of the past. Every crevice in the ground conceals an ancient dwelling, tomb or shrine. Most of the caves are almost inaccessible, or so it seems, precisely because their makers were masters in the art of camouflage and pitfalls. The various tunnels and underground passages were designed to confuse intruders and lead them into deadly traps. A seemingly dead-end tunnel could have a cleverly concealed outlet to the outside, while a seemingly safe passage could lead to a trap.
Cappadocia preserves excellent examples of early Christian churches and chapels, whose style and features detect various artistic influences; from Mesopotamia, Syria, Palestine, Armenia, and early Christian and Byzantine art. Some churches are very well preserved; we find them clustered or stacked, over precipices or underground. In Cappadocia National Park there are more than 250 churches and chapels distributed among the villages Goreme, Urgup, Zelve, Uchisar, Ortahisar, Ihlara, Cavusin and Mustafapasa.
Early murals represent primitive art. Their makers were monks, inspired by religious devotion, completely unaware of anatomical proportions and perspective. The earliest iconographies discovered so far reveal a Syrio-Palestinian influence, while works dating to a later period show Byzantine tendencies.